Jason Fox

download pdf (105K)
1964      Born in Yonkers, New York
              Lives in New York City

Education
1988      Columbia University, New York, NY; MFA
1986      Cooper Union, New York, NY; BFA

Solo Exhibitions
2009      The Upper Depths, Peter Blum Gallery (SoHo), New York, NY
2008      Next Art Fair, Franklin Parrasch Gallery, Chicago, IL
2007      Sunrise at the Bottom of the Ocean, Mario Diacono at Ars Libri, Boston, MA
2006      Alexander Pollazzon Ltd., London, UK
              An Ongoing Low-Grade Mystery, Paula Cooper Gallery, New York, NY
2005      Feature Inc., New York
              The Year of Who Knows When, Greener Pastures Contemporary Art, Toronto, ON, Canada
2004      Museo de Arte Carrillo Gil, Mexico City, Mexico
              M du B, F, H & g, Montreal, QC, Canada
2003      Feature Inc., New York, NY (catalogue)
2001      Feature Inc., New York, NY
2000      Museo de las Artes de la Universidad de Guadalajara, Guadalajara, Mexico
              M du B, F, H & g, Montreal, QC, Canada
1998      A.N. Gallery, Karachi, Pakistan
1997      Feature Inc., New York
              Galerie Cokkie Snoei, Rotterdam, The Netherlands
1996      Cabinet Gallery, London, UK
1995      Feature Inc., New York, NY
1994      Desonicator and Sleeping Bags, Feature Inc., New York, NY
1993      Cabinet Gallery, London, UK (catalogue)
              Sleeping Bags and Desonicator, Kim Light Gallery, Los Angeles, CA
1991      Druidyssey, Feature Inc., New York, NY

Selected Group Exhibitions
2009      Jason Fox and Alexis Rockman: Motion Parallax, Franklin Parrasch Gallery, New York, NY
2008      Every Revolution is a roll of the Dice, Curated by Bob Nickas, Marfa Ballroom, Marfa, TX
              Political Corect, Blondeau Fine Art, Geneva, Switzerland
2007      RAW: Among the Ruins, Marrcs Center for Contemporary Culture, Maastricht, Netherlands; curated by Lisette
                            Smits and Alexis Vaillant (accompanying book)
              Shark & Hall: Klat featuring Jason Fox, Batiment 59, Artamis, Geneva; curated by KLAT
              Feed Your Head, Heskin Contemporary, New York, NY; curated by Andrew Chesler (catalogue)
              Thoughts, Feature Inc., New York
              Automatic, Franklin Parrasch Gallery, New York, NY; curated by Chris Churchill
              Refugees of Group Selection, Franklin Parrasch Gallery, New York, NY
              Early 90's, Kim Light Gallery, Los Angeles, LA
              Out of Nothing, 4 Walls Fine Art, Austin, TX, curated by Daniel Heimbinder
2006      The Inhumane Society, Momenta Art, Brooklyn, NY
              Drawing III (Selected), g-module, Paris, France
              An Ongoing Low-Grade Mystery, Paula Cooper Gallery, New York, NY; curated by Bob Nickas
              Exquisite Corpse—Cadavre Exquis: A game played between Mitchell Algus and Bob Nickas, Mitchell Algus
                            Gallery, New York, NY
              Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts, Bortolami
                            Dayan, New York; curated by Clarissa Dalrymple
2005      Drunk vs. Stoned 2, Gavin Brown's enterprise, New York; curated by Elysia Borowy-Reeder, Gavin Brown,
                            Corinna Durland, Scott Reeder, and Tyson Reeder
              Dual Vision, Wendy Cooper Gallery, Chicago; curated by John McKinnon
              The sun rises in the evening., Feature Inc., New York, NY
              Greater New York 2005, P.S.1 Contemporary Art Center, Long Island City, NY (catalogue)
              Behind the Wall of Sleep, Greener Pastures Contemporary Art, Toronto, ON, Canada
2004      Versus: Huma Bhabha and Jason Fox, Arena Mexico, Arte Contemporaneo, Guadalajara, Mexico
              The Four-Color Pen Show, Locust Projects, Miami; The General Store, Milwaukee, WI; curated by Elysia
                            Borowy and Heather Hubbs
              Radicales Libres, Central de Arte WTC, Guadalajara, Mexico; curated by Ruben Mendez
              Beat the Reaper!, Allston Skirt Gallery, Boston; curated by Joe Bradley
              Drunk vs. Stoned, The General Store, Milwaukee, WI, in association with GBE @ Passerby, New York;
                            curated by Elysia Borowy, Gavin Brown, Corinna Durland, and Emily Speers Mears
              Dum Dum Grown-Up Art, HERE Art Center, New York, NY; curated by Josh Kil
2003      Lumpenedlyness, Lump Gallery/Projects, Raleigh, NC; curated by Hudson
              The Melvins, Anton Kern Gallery, New York, NY; curated by Bob Nickas
              The Burnt Orange Heresy, Space 101, Brooklyn, NY; curated by David Hunt
              Transnational Monster League, Derek Eller Gallery, New York; curated by Banks Violette
2002      GtT2, Yerba Buena Center for the Arts, San Francisco; curated by ANP (catalogue)
2001      Not a. Lear, Gracie Mansion Gallery, New York; Allston Skirt Gallery, Boston; Galerie S. & H. de Buck, Ghent,
                            Belgium
              Dear Dead Person, Momenta Art, Brooklyn, NY; curated by Banks Violette
              Blondies and Brownies, Aktionsforum Praterinsel, Munich; curated by Rafael von Uslar
2000      Blondies and Brownies, Torch, Amsterdam; curated by Rafael von Uslar
              Hairy Forearm's Self-Referral, Feature Inc., New York
              Not a. Lear, Torch, Amsterdam, The Netherlands; Art Process, Paris; curated by ANP
1999      Drawings: Jason Fox and Chris Hammerlein, Feature Inc., New York
              Pleasure Dome, Jessica Fredericks Gallery, New York, NY
              Xthetic, Stefanelli Exhibition Space, New York, NY; curated by Giles Lyon
              Cookie Snow Feature, Galerie Cokkie Snoei, Rotterdam, The Netherlands
              Drawings, Feature Inc., New York
              Loaf, Baumgartner Galleries, New York
              Xthetic, Angstrom Gallery, Dallas; curated by Giles Lyon
1998      Sociable Realism, Stephen Friedman Gallery, London; curated by Paul Noble
              Spectacular Optical, Thread Waxing Space, New York, NY; Museum of Contemporary Art, North Miami, FL;
                            CU Art Galleries, University of Colorado, Boulder, CO; curated by Lia Gangitano (catalogue)
              Paintings, M du B, F, H & g, Montreal, QC, Canada
              Ketchup (a project by KLAT), Forde Espace d'art contemporain, Geneva, Switzerland; curated in association
                            with Fabrice Stroun
              WOp: Works on/of paper, ANP, Antwerp, Belgium
              Yoyogaga, Feature Inc., New York, NY
1997      Bring Your Own Walkman, W139, Amsterdam, The Netherlands; curated by Jack Jaeger
              gnarleyand, Feature Inc., New York, NY
              Supastore de Lux, Up & Co., New York, NY; curated by Susan Stanton
              Popocultural II, Southampton Art Gallery, Southampton, England; curated by Cabinet Gallery
              Microcosmic Cryptozoic, HERE Art Center, New York, NY; curated by Melissa Zexter
1996      Tekenen/Drawing '96: Rotterdam on Line, Galerie Cokkie Snoei, Rotterdam, The Netherlands
              Escape Attempts (video screening), Christiania, Denmark; organized by Jack Jaeger
              The Paranoid Machine, Shoshana Wayne Gallery, Santa Monica, CA; curated by Michael Cohen
              Popocultural, South London Gallery, London; curated by Cabinet Gallery
1995      It's Only Rock & Roll, Phoenix Art Museum, Phoenix, AZ; curated by David Rubin (catalogue)
              Gaze a Gazely Stare, Feature Inc., New York, NY
              Smells Like Vinyl, Roger Merians Gallery, New York, NY; curated by Sarah Seager and Thaddeus Strode
              Crystal Blue Persuasion, Feature Inc., New York, NY
              21 Days of Darkness, Transmission Gallery, Glasgow, Scotland
1994      Surface de Réparation, FRAC Bourgogne, Dijon, France; curated by Eric Troncy (catalogue)
              Body Language, Tavelli Gallery, Aspen, CO
              Please Don't Hurt Me!, Galerie Cokkie Snoei, Rotterdam, The Netherlands; Cabinet Gallery, London; curated
                            by Jack Jaeger
              S.I.B. (Swelling Itching Brain), Satellite Gallery, New York, NY
1993      Arachnosphere, Ranmarine Gallery, Long Island City, NY
              Outside Possibilities, The Rushmore Festival, Woodbury, NY; curated by Bill Arning
              Some artists I've been thinking about that fall under the title of: Wouldn't it be more pluralistic to embrace
                            turmoil and/or violence?
, Andrea Rosen Gallery, New York, NY
              The Return of the Cadavre Exquis, Drawing Center, New York, NY; Corcoran Gallery of Art, Washington, DC;
                            Forum for Contemporary Art, St. Louis, MO; Fundación para el Arte Contemporáneo, Mexico City;
                            Santa Monica Art Museum, Santa Monica, CA; curated by Ann Philbin and Ingrid Schaffner
                            (catalogue)
1992      Seven Rooms/Seven Shows, P.S.1 Contemporary Art Center, Long Island City, NY; curated by Kathleen
                            Cullen
              Kim Light Gallery, Los Angeles, LA
              The Red Light Show, Stichting Casco, Utrecht, the Netherlands; curated by Jack Jaeger
              The Mud Club, Winchester Cathedral & Lake Nairobi, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL;
                            curated by Hudson (catalogue)
1991      Office Party, Feature, New York
              Louder, Gallery 400, University of Illinois, Chicago; curated by Tony Tasset and Kathryn Hixson

Selected Bibliography
2006      Lafreniere, Steve. Interview with Hudson, Index, November/December, 34–41 (reproduction)
              Lillington, David. Review, Frog, no. 4 (Autumn/Winter), 46–49 (reproductions)
              Do Androids Dream of Electric Sheep? Vellum, no. 4 (Fall/Winter), 32–35 (reproductions)
2005      Greater New York 2005, exhibition catalogue, P.S. 1 Contemporary Art Center, Long Island City, NY, 156–157
              Faust, Lily. Review, M/The New York Art World 8, no. 6 (February), 8 (reproduction)
              Manning, Sean. Review, New York Press, 9–15 February, 44 (reproduction)
              Nusser, Madeline. "The Four-Color Pen Show," Time Out Chicago, 3–10 March, 52 (reproduction)
              Reed, John. Review, Time Out New York, 3–9 February, 59 (reproduction)
              Saltz, Jerry. Review, Village Voice, 2–8 February, 74
              Vincent, Steven. Review, Art in America, June/July, 179–180 (reproduction)
2004      Lehmann, Henry. "Variations On Nature of Reality," Montreal Gazette, 31 January, Weekend section, 3
                             (reproductions)
              Saltz, Jerry. "Blotto, Meet Buzzed," Village Voice, 19–25 May, 89
2003      Cotter, Holland. Review, New York Times, 28 February, E45
2001      Cotter, Holland. Review of "Dear Dead Person," New York Times, 25 May, E29
              Smith, Roberta. "As Chelsea Expands, a Host of Visions Rush In," New York Times, 1 June, E33
1999      Collings, Matthew. It Hurts: New York Art from Warhol to Now, 21 Publishing, London
              Ivy, Angus. Review of "WOp," Zingmagazine 10 (Summer), 229–230
1998      Cotter, Holland. Review of "Yoyogaga," New York Times, 20 November, E43
              Mahoney, Robert. Review of "Spectacular Optical," Time Out New York, 18 June
              Reid, Calvin. Review, Art in America, July, 100 (reproduction)
              Sciaccaluga, Maurizio. "Chiamatelo Godzilla," Tema Celeste, October–December, 42–51, 98–101
                             (reproduction)
              Smith, Roberta. Review of "Spectacular Optical," New York Times, 3 July, E33
1997      Freedman, Carl. Review of "Popocultural II," Frieze, May, 75 (reproduction of artwork only)
1995      Goings On About Town, New Yorker, 13 November, 22
              Greeven, Christina. Review of "The Return of the Cadavre Exquis," Manhattan File, May, 64–69
                             (reproduction)
1994      Cotter, Holland. Review, New York Times, 14 January, C29
              Levin, Kim. "S.I.B. (Swelling Itching Brain)," Village Voice, Choices, 28 July
              Levin, Kim. Village Voice, Art in Brief, 8 February, 72
              Lillington, David. Review, Metropolis M, April, 50 (reproduction)
              Lillington, David. Review, Time Out London, 19 January, 46 (reproduction)
              Saltz, Jerry. "A Year in the Life: Tropic of Painting," Art in America, October, 90–101 (reproduction)
              Yehya, Naief. "La Caligrafia Criminal de Jason Fox," Rock & Pop, July, 75–76 (reproduction)
1993      Cameron, Dan. "The Critical Edge: Arranging Things," Art & Auction, January
              Fox, Marisa. "Rock Kulture," Option, November/December, 83–85
              Holmqvist, Karl. Interview, Pig, no. 6 (Summer)
1992      Bekkering, Peter. "Let's Talk About Sex," Culture Magazine WOAR, October, 11
              Bernardi, David. Review, Flash Art, May/June, 149 (reproduction)
              Bonami, Francesco. "U.S. Pain," Flash Art, May/June, 100–102 (reproduction)
              Figee, Thea. "Bedrijvige Piemels en Borsten bij CASCO," Utrechts Nieuwsblad, 1 October
              Hagemans, Arno. "Riskant Erotiek, Maar Geen Porno in 'The Red Light Show,'" Utrechts Nieuwsblad,
                            16 September
              Hoenjet, Frank. "De Sinaasappelhuid van de Erotiek," Univeriteitsblad Utrechts, 24 September
              Marrs, Jennifer. "Simple Style with a Complex Meaning," Courier, 2 October, 15, 18
1991      Review of "Feature Creatures," Flash Art, November/December

Selected Projects, Publications, and Reproductions of Artwork
2006      Soft Targets 1, no. 1, 213–216 (portfolio)
2004      "Installation: Selected by Dana Schutz," Modern Painters, Autumn, 66 (reproduction of artwork) 2003
              "Models and Monsters," Open City 17 (summer), 1, 51–58 (reproductions of artworks)
              Manual, edited by Alexandre Estrela and Scott Harrison, Litographia Amorim, Lisbon, 77, 87
                             (reproduction of artwork)
1996      "Jason Fox," Documents sur l'Art, Spring, 12 (reproduction of artwork)
              Tijdschrift, no. 3, Salle deBains, Rotterdam, 44–45 (reproduction of artwork)
1995      "Comfortably Numb: Drawings by Jason Fox," Chemical Imbalance, Winter
1994      "Working Conditions: A Forum on Art and Everyday Life by Younger Artists," Julia Jacquette and Lawrence
                            Lipkin, guest editors, M/E/A/N/I/N/G, no. 16, 12–13
1993      ABeSea, May, 16 (artist's project) L'endroit idéal (Ideal Place), edited by Eric Troncy, L'Ile du Roy, Centre d'Art
                            et Jardin, Val due Reuil, France, 66–67 (artist's project) Snake Eyes, no. 3, inside back cover
                             (reproduction of artwork)

Awards and Honors
2006      Champagne Perrier-Jouët Prize for Best Artist at Zoo Art Fair